Inside Creative Review's office: One of the world’s most well-known and respected magazines about creativity

Nestled in a pulsating and posh neighborhood of London, Creative Review’s (CR) office is undergoing some renovation when we visit them on a crisp winter morning in September last year. One of the world’s most well-known and respected magazines about creativity, CR shares its huge office space with a few other magazines of its parent company, Centaur Media PLC which is spread over four floors in the same building with more than 600 employees.

We ask Patrick Burgoyne, editor of Creative Review since 1999, to crack the code that leads to the consistently  brilliant content that CR has been churning out over the years. He starts off by describing a regular day at his office. That actually depends on where we are in the production cycle of the magazine, he says. “When I had first started here, we just had a monthly magazine and thus there was a very distinct rhythm to the month. We would start the first week with various ideas coming together and commissioning things. Then the work would gradually grow as we were closer to the printing time. But these days we do so much stuff online, so we are constantly pushing things.” Read the whole story here.